Title |
Subtitle |
Composer |
Players |
Instrument |
Period |
Pages |
Twenty Canzonets |
Little Short Songs to Three Voyces (1593) - treble, tenor, tenor viol consort. |
Morley, Thomas (c. 1557-1602) |
trio |
viol |
Renaissance |
71 |
Mass for Three Voices, 1593 |
Arranged for treble, treble and tenor viol consort. |
Byrd, William (1540-1623) |
trio |
viol |
Renaissance |
18 |
11 Three-part Fantasias |
Arranged for viol consort: treble, tenor and bass or treble, tenor and tenor |
Bassano, Giovanni (1558-1617) |
trio |
viol |
Baroque |
69 |
21 Three-part Fantasias |
Arranged for treble, treble and tenor viol consort. |
Jenkins, John (1592-1678) |
trio |
viol |
Baroque |
256 |
Laudate Dominum Omnes Gentes |
from Magnum opus musicum (Munich 1604), LV 1122 |
Orlando di Lasso (1532-1594) |
12 parts |
viol |
Renaissance |
67 |
Nine Benedictus |
Arranged for three viols, from masses by Morales |
Morales, Cristóbal de (c.1500-1553) |
trio |
viol |
Renaissance |
18 |
Venetia Mundi Splendor |
Arranged for three viols |
Johannes Ciconia (1370-1412) |
trio |
viol |
Medieval |
16 |
Una Panthera |
Arranged for three viols |
Johannes Ciconia (1370-1412) |
trio |
viol |
Medieval |
20 |
Quid Tu Vides |
Arranged for three viols (two versions) |
Pérotin (1160-1230) |
trio |
viol |
Medieval |
6 |
Triplum Organum |
Arranged for three viols |
Pérotin (1160-1230) |
trio |
viol |
Medieval |
3 |
Ave Maris Stella |
Arranged for three viols (two versions) |
Pérotin (1160-1230) |
trio |
viol |
Medieval |
12 |
Espoir |
|
Philippus de Caserta (1350-1420) |
trio |
viol |
Medieval |
3 |
2 Three-Part Fantasias |
For various combinations of three viols |
Holborne, Anthony (1545-1602) |
trio |
viol |
Renaissance |
12 |
7 Three-Part Fantasias |
For various combinations of viols |
du Caurroy, Eustache (1549–1609) |
trio |
viol |
Renaissance |
73 |
19 Three-Part Fantasias |
For various combinations of viols |
Lupo, Thomas (1571-1627) |
trio |
viol |
Renaissance |
84 |
Fantasia No. 4 with great double bass |
Arranged for treble, tenor and six-string bass viol. |
Gibbons, Orlando (1583-1625) |
trio |
viol |
Renaissance |
8 |
Fantasia, VdGS #1 |
for three viols |
Gibbons, Orlando (1583-1625) |
trio |
viol |
Renaissance |
4 |
Fantasia, VdGS #4 |
for three viols |
Gibbons, Orlando (1583-1625) |
trio |
viol |
Renaissance |
8 |
Fantasia, VdGS #3 |
for three viols |
Gibbons, Orlando (1583-1625) |
trio |
viol |
Renaissance |
8 |
Domine, Deus Meus |
For three viols |
Lasso, Orlando di (1532-1594) |
trio |
viol |
Renaissance |
4 |
Fantasia, VdGS #2 |
for three viols |
Gibbons, Orlando (1583-1625) |
trio |
viol |
Renaissance |
10 |
D'ung aultre amer |
For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 70v-71r |
Agricola, Alexander (c.1446-1506) |
trio |
viol |
Renaissance |
3 |
Amours amours |
For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r |
Agricola, Alexander (c.1446-1506) |
trio |
viol |
Renaissance |
3 |
Amours amours |
For treble, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r |
Agricola, Alexander (c.1446-1506) |
trio |
viol |
Renaissance |
3 |
Ricercar Decimo |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
6 |
Ricercar Ottavo |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
17 |
Ricercar Settimo |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
15 |
Ricercar Sesto |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
15 |
Ricercar Quinto |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
17 |
Ricercar Quarto |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
19 |
Ricercar Terzo |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
34 |
Ricercar Segondo |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
30 |
Ricercar Primo |
Fantesie Recercari Contrapunti à 3, 1559 |
Willaert, Adrian (c. 1490-1562) |
trio |
viol |
Renaissance |
16 |
Three Fantasias for Three Viols |
Large staff scores for ancient eyes |
Purcell, Henry (1659-1695) |
trio |
viol |
Baroque |
16 |
30 Irish, English and Scottish Dances |
Transcribed for solo viola da gamba (treble, tenor or bass) |
Traditional |
solo |
viol |
Traditional |
73 |
Fugue in G Major, KV 443 |
Originally for violin, viola and cello. Arranged for treble, tenor and bass viols. |
Mozart, Wolfgang Amadeus (1756-1791) |
trio |
viol |
Classical |
4 |
Triosonate F-dur, Twv 42: F7 |
Arranged for treble, treble and bass viol. |
Telemann, Georg Philip |
trio |
viol |
Baroque |
8 |
Trio Sonata, Op.2, No.2 |
originally for two violins and bass |
Loeillet, Jean-Baptiste (1688-1720) |
trio |
viol |
Baroque |
14 |
Trio Sonata, Op.2, No.1 |
originally for two violins and bass |
Loeillet, Jean-Baptiste (1688-1720) |
trio |
viol |
Baroque |
8 |
Trio for Two Violins and Viola da Gamba |
Arranged for two treble viols and bass viol. Score and parts. |
Bach, J.S. (1685-1750) |
trio |
viol |
Baroque |
12 |
12 Trio Sonatas, Op. 1 |
Originally for two violins and bass. Transcribed for treble, treble and bass viol consort. |
Corelli, Arcangelo (1653-1713) |
trio |
viol |
Baroque |
89 |
Sonatas of Four Parts |
10 Sonatas, originally for two violins, bass and continuo, Z. 802-811. |
Purcell, Henry (1659-1695) |
trio |
viol |
Baroque |
97 |
Sonatas of Three Parts |
12 Sonatas, originally for two violins and cello, Z. 790-801. |
Purcell, Henry (1659-1695) |
trio |
viol |
Baroque |
99 |
23 Five-Part Madrigals |
From Madrigali a 5 voci, libro sesto, 1611. Transcribed for viol consort. |
Gesualdo, Carlo (1566-1613) |
quintet |
viol |
Renaissance |
86 |
12 Trio Sonatas, Op. 2 |
Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. |
Corelli, Arcangelo (1653-1713) |
trio |
viol |
Baroque |
68 |
12 Trio Sonatas, Op. 3 |
Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. |
Corelli, Arcangelo (1653-1713) |
trio |
viol |
Baroque |
102 |
12 Trio Sonatas, Op. 4 |
Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. |
Corelli, Arcangelo (1653-1713) |
trio |
viol |
Baroque |
80 |
Balletti, Correnti, Gighe, e Sarabande à trè due Violini e Violone |
Arranged for treble, treble and tenor or bass viol consort. |
Piazzi, Carlo |
trio |
viol |
Baroque |
83 |
22 Three-Voice Madrigals |
From Cantiones trium vocum, 1608. Transcribed for treble, treble or tenor, and bass viol consort. |
Aagesen, Truid (fl. 1593–1625) |
trio |
viol |
Renaissance |
78 |
16 Easy Madrigals |
From Balletti a Tre Voci, 1594. |
Gastoldi, Giovanni (c. 1554-1609) |
trio |
viol |
Renaissance |
34 |
19 Three-Voice Madrigals |
From Madrigaletti a tre voci, 1619 |
Brachrogge, Hans (1590-1638) |
trio |
viol |
Renaissance |
35 |
11 Three-Voice Madrigals |
From Libro primo de madrigali a 3 voci, 1575 |
Gabrieli, Andrea (c.1532-1585) |
trio |
viol |
Renaissance |
63 |
15 Three-Voice Motets |
From Liber Mottetarum 3 Vocum, 1575. Transcribed for treble, tenor and bass viol consort. |
Lasso, Orlando di (1532-1594) |
trio |
viol |
Renaissance |
50 |
7 Three-Voice Madrigals |
Transcribed for treble, tenor, and bass viol consort. |
Merulo, Claudio (1533-1604) |
trio |
viol |
Renaissance |
16 |
9 Three-Voice Motets |
From Gradualia I, 1605. |
Byrd, William (1540-1623) |
trio |
viol |
Renaissance |
27 |
13 Three-Voice Motets |
From Moduli Trium Vocum, 1597 |
Tollius, Jan (c.1550-1620) |
trio |
viol |
Renaissance |
36 |
Six Three-Voice Secular Madrigals |
The First Set of English Madrigals to 3-6 voices, 1598. |
Bateson, Thomas (1570-1630) |
trio |
viol |
Renaissance |
10 |
39 Secular Chansons |
from La Fleur des chansons a 3, Pierre Phalèse, 1574. |
de Castro, Jean (c. 1540-c. 1600) |
trio |
viol |
Renaissance |
84 |
A satyr once did run away |
Transcribed for treble, treble, tenor and bass viol consort. |
Ward, John (1571-1638) |
quartet |
viol |
Renaissance |
2 |
Seigneur enten ma requeste |
Transcribed for treble, tenor, tenor and bass viol consort. |
Sweelinck, Jan Pieterszoon (1562-1621) |
quartet |
viol |
Renaissance |
2 |
Christe totius dominator orbis |
Transcribed for treble, tenor, tenor and bass viols |
Richafort, Jean (1480 -1547) |
quartet |
viol |
Renaissance |
7 |
Madrigals to Four Voices |
Transcribed for treble, treble, tenor and bass viol consort. |
Morley, Thomas (c. 1557-1602) |
quartet |
viol |
Renaissance |
62 |
Madrigals to Four Voices |
Transcribed for treble, tenor, tenor and bass viol consort. |
Morley, Thomas (c. 1557-1602) |
quartet |
viol |
Renaissance |
67 |
Puer natus est nobis |
Transcribed for treble, tenor and bass viol consort. |
Morales, Cristóbal de (c.1500-1553) |
trio |
viol |
Renaissance |
2 |
Si no os hubiera mirado |
Transcribed for treble, tenor and bass viol consort. |
Morales, Cristóbal de (c.1500-1553) |
trio |
viol |
Renaissance |
1 |
Messa da Capella a quattro voci (1641) |
Transcribed for treble, tenor, tenor, and bass viol consort. |
Monteverdi, Claudio (1567-1643) |
quartet |
viol |
Renaissance |
56 |
En l'ombre d'un buissonnet |
Transcribed for treble, tenor and bass viol consort |
Josquin des Prez (c. 1450-1521) |
trio |
viol |
Renaissance |
2 |
Mass |
Transcribed for treble, treble/tenor, tenor
and bass viol consort.
|
Cabezón, Antonio de (1510-1566) |
quartet |
viol |
Renaissance |
7 |
8 Short Pieces |
Rondeaux, Motets and Ballades. Transcribed for treble, tenor and bass viol consort. |
Gilles Binchois |
trio |
viol |
Renaissance |
9 |
Come Heavy Sleep |
Transcribed from the lute tablature for treble, tenor, and bass viol consort. |
Dowland, John (1563-1626) |
trio |
viol |
Renaissance |
1 |
Farewell |
Transcribed from the lute tablature for treble, tenor, and bass viol consort. |
Dowland, John (1563-1626) |
trio |
viol |
Renaissance |
13 |
13 Four-Voice Chorales |
Transcribed for treble, tenor, tenor, and bass viol consort. |
Bach, J.S. (1685-1750) |
quartet |
viol |
Baroque |
16 |
Miserere Mei |
Transcribed for treble, tenor, tenor and bass viol consort |
Scarlatti, Alessandro (1660-1725) |
quartet |
viol |
Baroque |
3 |
14 Three-voice Madrigals and Motets |
Transcribed for treble, tenor
and bass viol consort |
Monteverdi, Claudio (1567-1643) |
trio |
viol |
Baroque |
23 |
10 Three-Voice Madrigals |
16th Century |
Gero, Jhan (fl. 1540-1555) |
trio |
viol |
Renaissance |
22 |
Il Primo Libro de Madrigali, 1533 |
Transcribed for treble, tenor, tenor
and bass viol consort. 59 pages.
|
Verdelot, Philippe (c. 1480- c. 1530) |
quartet |
viol |
Renaissance |
59 |
Western Wind Mass |
Transcribed for treble, tenor, tenor and bass viol consort. |
Taverner, John (!1490-1545) |
quartet |
viol |
Renaissance |
61 |
Missa Lauda Sion |
Missarum liber quartus, 1582 |
Palestrina, G. P. da (c. 1525-1594) |
quartet |
viol |
Renaissance |
17 |
Missa Iste Confessor |
Missarum liber quintus, 1590 |
Palestrina, G. P. da (c. 1525-1594) |
quartet |
viol |
Renaissance |
18 |
Missa Emendemus |
Missarum liber septimus, 1594 |
Palestrina, G. P. da (c. 1525-1594) |
quartet |
viol |
Renaissance |
17 |
Motecta Festorum for Four Voices, Book Two, 1587 |
Transcribed for treble, tenor, tenor
and bass viol consort. 78 pages. |
Palestrina, G. P. da (c. 1525-1594) |
quartet |
viol |
Renaissance |
78 |
Motecta Festorum for Four Voices, Book One, 1564 |
Transcribed for treble, tenor, tenor
and bass viol consort. 136 pages. |
Palestrina, G. P. da (c. 1525-1594) |
quartet |
viol |
Renaissance |
139 |
Madrigali a quattro voci libro primo, 1585 |
Transcribed for treble, tenor, tenor and bass consort. 90 pages. |
Marenzio, Luca (1553-1599) |
quartet |
viol |
Renaissance |
90 |
21 Psalms, Motets and Madrigals |
Transcribed for treble, tenor, tenor
and bass viol consort. 31 pages. |
Farmer, John (1570?-1605) |
quartet |
viol |
Renaissance |
31 |
5 Four-Voice Madrigals |
Transcribed for treble, tenor, tenor
and bass viol consort. 11 pages. |
Weelkes, Thomas (1575 -1623) |
quartet |
viol |
Renaissance |
13 |
18 Madrigals |
from Ayres or Phantasticke Spirits for Three Voices (1608). Transcribed for treble, tenor and bass viol consort. |
Weelkes, Thomas (1575 -1623) |
trio |
viol |
Renaissance |
23 |
10 Three-Voice Anthems |
Transcribed for treble, tenor
and bass viol consort. 21 pages. |
Tomkins, Thomas (1572-1656) |
trio |
viol |
Renaissance |
21 |
12 Four-Voice Madrigals and Anthems |
Transcribed for treble, tenor, tenor, and bass viol consort. 32 pages. |
Tomkins, Thomas (1572-1656) |
quartet |
viol |
Renaissance |
32 |
13 Three-Voice Madrigals |
Transcribed for treble, tenor, and bass viol consort. 32 pages. |
Wilbye, John (1574-1638) |
trio |
viol |
Renaissance |
32 |
24 Easy Anthems, Motets and Carols |
Transcribed for treble, tenor, tenor
and bass viol consort
Dick Yates. 30 pages. |
Tye, Christopher (c. 1500-1573) |
quartet |
viol |
Renaissance |
33 |
68 Songs, Madrigals, Hymns and Chorales |
Transcribed for treble, tenor, tenor
and bass viol consort. 100 pages.
|
Dowland, John (1563-1626) |
quartet |
viol |
Renaissance |
100 |
33 Sacred Motets |
Transcribed for treble, tenor, tenor and bass viol consort. 82 pages. |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
85 |
Five Madrigals |
Transcribed for treble, treble, tenor and bass viol consort |
East, Michael (c.1580-1648) |
quartet |
viol |
Renaissance |
13 |
Four-Voice Sacred Motets |
Transcribed for treble, treble, tenor, and bass viol consort |
Byrd, William (1540-1623) |
quartet |
viol |
Renaissance |
69 |
Four-Voice Sacred Motets |
Transcribed for treble, tenor, tenor, and bass viol consort |
Byrd, William (1540-1623) |
quartet |
viol |
Renaissance |
69 |
Alleluia, ora pro Nobis |
Sacred Motet |
Tallis, Thomas (c. 1505-1585) |
quartet |
viol |
Renaissance |
2 |
50 Chansons, Madrigals, Motets, and Lieder |
Transcribed for treble, tenor, tenor
and bass viol consort
|
Lasso, Orlando di (1532-1594) |
quartet |
viol |
Renaissance |
110 |
50 Chansons, Madrigals, Motets, and Lieder |
Transcribed for treble, treble, tenor
and bass viol consort
|
Lasso, Orlando di (1532-1594) |
quartet |
viol |
Renaissance |
100 |
Alleluia Magnificat |
Arranged for viol consort (treble, treble, tenor, bass). 3 pages. |
Isaac, Heinrich (1450-1517) |
quartet |
viol |
Renaissance |
3 |
Tmeisken was jonck |
Arranged for viol consort (treble, treble, tenor, bass). 2 pages. |
Isaac, Heinrich (1450-1517) |
quartet |
viol |
Renaissance |
2 |
Mein Freud allein |
Arranged for viol consort (treble, treble, tenor, bass). 2 pages. |
Isaac, Heinrich (1450-1517) |
quartet |
viol |
Renaissance |
2 |
Innsbruck, ich muss dich lassen |
Arranged for viol consort (treble, treble, tenor, bass). 2 pages. |
Isaac, Heinrich (1450-1517) |
quartet |
viol |
Renaissance |
2 |
Donna di dentro di tua casa |
Arranged for viol consort (treble, tenor, tenor, bass). 3 pages. |
Isaac, Heinrich (1450-1517) |
quartet |
viol |
Renaissance |
3 |
Vere languores |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
3 |
Tres sunt |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
3 |
Senex puerum portabat |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
3 |
Quam pulchri sunt |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
4 |
Pueri Hebraeorum |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
3 |
O decus apostolicum |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
3 |
Miserere mei |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
1 |
Hosanna filio David |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
1 |
Ego sum panis vivus |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
4 |
Ecce sacerdos magnus |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
2 |
Domine, non sum dignus |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
2 |
Doctor Bonus Amica Dei |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
3 |
Beati Immaculati |
Motet arranged for viol consort (treble, treble, tenor, bass). |
Victoria, Tomas Luis de (1548-1611) |
quartet |
viol |
Renaissance |
3 |
Vultum Tuum |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
2 |
Virgo Prudentissima |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
3 |
Victimae Paschali Laudes |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
4 |
Rubum Quem Viderat |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
2 |
O Salutaris Hostia |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
1 |
O Bone et Dulcis Domine Jesu |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
4 |
Tu Pauperum Refugium |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
3 |
In Flagellis Potem Fellis |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
2 |
Christe, Fili Dei |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
3 |
Benedicta Sit Creatrix |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
3 |
Ave Maris Stella |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
8 |
Alma Redemptoris Mater |
Arranged for viol consort (treble, treble, treble, bass) |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
5 |
Scaramella fa la guerra |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
2 |
Mille regrets |
Arranged for viol consort (treble, treble, tenor, bass). |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
|
Fama malum |
Arranged for viol consort (treble, treble, tenor, bass) |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
3 |
Dulces exuviae |
Arranged for treble, treble, tenor and bass viols. |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
3 |
Angelus ad Pastores ait |
|
Gabrieli, Andrea (c.1532-1585) |
quartet |
viol |
Renaissance |
2 |
Sancta et Immaculata |
|
Gabrieli, Andrea (c.1532-1585) |
quartet |
viol |
Renaissance |
|
Maria Magdalene |
|
Gabrieli, Andrea (c.1532-1585) |
quartet |
viol |
Renaissance |
|
Gigue |
Suite in A minor |
von Westhoff, Johann Paul (1665-1705) |
solo |
viol |
Baroque |
|
Seven Four-Voice Sacred Motets (TrTrTeBa) |
Arranged for viol consort (treble, treble, tenor, tenor, bass) |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
46 |
Six Sonatas for Two Cellos |
Arranged for two bass viols |
Chiabrano, Gaetano (1725-1802) |
duet |
viol |
Classical |
36 |
Six Sonatas for Two Cellos |
Arranged for two treble viols |
Chiabrano, Gaetano (1725-1802) |
duet |
viol |
Classical |
36 |
Six Sonatas for Two Cellos |
Arranged for two tenor viols |
Chiabrano, Gaetano (1725-1802) |
duet |
viol |
Classical |
36 |
Twelve Toccate for violoncello solo |
Arranged for viola da gamba |
Supriano, Francesco Paolo |
solo |
viol |
Baroque |
66 |
Seven Sonatas for Two Bass Viols |
Op. 1 |
Antoniotti, Giorgio (1692-1776) |
duet |
viol |
Baroque |
49 |
Seven Sonatas for Two Tenor Viols |
Op. 1 |
Antoniotti, Giorgio (1692-1776) |
duet |
viol |
Baroque |
49 |
Seven Sonatas for Two Treble Viols |
Op. 1 |
Antoniotti, Giorgio (1692-1776) |
duet |
viol |
Baroque |
49 |
Allegro Moderato |
For tenor and tenor or bass viols |
Gabriel Fauré (1845-1924) |
duet |
viol |
Classical |
1 |
Six Sonata Duets, Op. 8b |
Arranged for two treble, or two tenor, or two bass viols |
de Fesch, Willem (1687-1761) |
duet |
viol |
Baroque |
99 |
Six Sonata Duets, Op. 4b |
Arranged for two treble, or two tenor, or two bass viols |
de Fesch, Willem (1687-1761) |
duet |
viol |
Baroque |
131 |
Six Canonic Sonatas |
Op. 5, TWV 40:118-123 |
Telemann, Georg Philipp (1681-1767) |
duet |
viol |
Baroque |
81 |
Rose, Liz, Printemps, Verdure |
Four-part rondeau |
Guillaume de Machaut (1300-1377) |
quartet |
viol |
Medieval |
|
Seven Four-Voice Sacred Motets (TrTeTeBa) |
Arranged for viol consort (treble, tenor, tenor, bass) |
Josquin des Prez (c. 1450-1521) |
quartet |
viol |
Renaissance |
42 |
Mass for Three Voices, 1593 |
Arranged for viol consort: Treble-Tenor-Bass and Tenor-Tenor-Tenor |
Byrd, William (1540-1623) |
trio |
viol |
Baroque |
32 |
13 Four-voice Madrigals |
Arranged for viol consort |
Arcadelt, Jacques (1507-1568) |
quartet |
viol |
Renaissance |
34 |
Missa Rex Seculorum |
Arranged for three viols |
John Dunstaple (1390-1453) |
trio |
viol |
Medieval |
47 |
Barcelona Mass |
14th Century |
Anonymous |
trio |
viol |
Medieval |
24 |
La Messe de Nostre Dame |
|
Guillaume de Machaut (1300-1377) |
quartet |
viol |
Medieval |
146 |
7 Caprices |
From 11 Capricci a violoncello solo |
Joseph dall'Abaco (1710-1805) |
solo |
viol |
Baroque |
40 |
15 Two-Voice Ballades |
Transcribed for viola da gamba duo |
Guillaume de Machaut (1300-1377) |
duet |
viol |
Medieval |
60 |
26 Piccole Sonate |
Selected Pieces arranged for viol |
Tartini, Giuseppe (1692-1770) |
solo |
viol |
Rococco |
48 |
Three Suites |
From The Compleat Violist, 1699 |
Hely, Benjamin |
solo |
viol |
Baroque |
26 |
Mass for Five Voices |
|
Byrd, William (1540-1623) |
quintet |
viol |
Renaissance |
72 |
Sonata |
L'Echo du Danube, Op.9, No.6. For tenor viol |
Schenck, Johannes (1660-1712) |
solo |
viol |
Baroque |
8 |
Sonata |
L'Echo du Danube, Op.9, No.5. For tenor viol |
Schenck, Johannes (1660-1712) |
solo |
viol |
Baroque |
5 |
Sonata 5 |
Transcribed from the Vienna Manuscript. For bass viol |
Schenck, Johannes (1660-1712) |
solo |
viol |
Baroque |
7 |
Sonata 5 |
Transcribed from the Vienna Manuscript. For tenor viol |
Schenck, Johannes (1660-1712) |
solo |
viol |
Baroque |
7 |
Sonata 4 |
Transcribed from the Vienna Manuscript. For tenor viol |
Schenck, Johannes (1660-1712) |
solo |
viol |
Baroque |
8 |
Sonata 4 |
Transcribed from the Vienna Manuscript. For bass viol |
Schenck, Johannes (1660-1712) |
solo |
viol |
Baroque |
|
Partita #3, BWV 1006 |
Arranged for bass viol |
Bach, J.S. (1685-1750) |
solo |
viol |
Baroque |
13 |
Ich ruf zu dir, Herr Jesu Christ |
Chorale Prelude, BWV 639 |
Bach, J.S. (1685-1750) |
trio |
viol |
Baroque |
|
Partita #3, BWV 1006 |
Arranged for tenor viol |
Bach, J.S. (1685-1750) |
solo |
viol |
Baroque |
|
Select Preludes |
Originally for violin. Published by John Walsh, 1705. |
Various |
solo |
viol |
Baroque |
130 |
Manchester Lyra Viol Book |
27 Bass Viol Solos in Violl Waye Tuning |
Various |
solo |
viol |
Baroque |
48 |
Manchester Lyra Viol Book |
27 Tenor Viol Solos in Violl Waye Tuning |
Various |
solo |
viol |
Baroque |
48 |
Manchester Lyra Viol Book |
27 Treble Viol Solos in Violl Waye Tuning |
Various |
solo |
viol |
Baroque |
48 |
24 Country Dances for the Year 1748 |
For solo viol with optional bass. |
Davis, T. |
solo/duet |
viol |
Classical |
38 |
Twenty Christmas Carols |
Arranged for four viols |
Various |
quartet |
viol |
Various |
42 |
Der Fluyten Lust-hof, Volume 1 |
Arranged for tenor viol |
Van Eyck, Jacob (1590-1657) |
solo |
viol |
Baroque |
149 |
Six Sonatas, arranged for two bass viols |
Op. 2 (1727). TWV: 40:101-106 |
Telemann, Georg Philipp (1681-1767) |
duet |
viol |
Baroque |
153 |
Six Sonatas, arranged for two tenor viols |
Op. 2 (1727). TWV: 40:101-106 |
Telemann, Georg Philipp (1681-1767) |
duet |
viol |
Baroque |
153 |
Six Sonatas, arranged for two treble viols |
Op. 2 (1727). TWV: 40:101-106 |
Telemann, Georg Philipp (1681-1767) |
duet |
viol |
Baroque |
153 |
Fantasie 11 |
From 12 Fantasias for Violin without Bass
TWV: 40:24 |
Telemann, Georg Philipp (1681-1767) |
solo |
viol |
Baroque |
|
Ricercate |
per Violoncello o Clavicembalo, Op. 1 |
Antonii, Giovanni Battista Degli (1636-1698) |
solo |
viol |
Baroque |
103 |
Seven Ricercares for Solo Cello |
Arranged for treble, tenor or bass viol |
Gabrieli, Domenico (1651-1690) |
solo |
viol |
Baroque |
73 |
22 Viol Solos from J.S. Bach's Violin and Cello works |
Primarily for tenor viol, but versions for bass and treble are included.
|
Bach, J.S. (1685-1750) |
solo |
viol |
Baroque |
113 |
J.S. Bach - Collected Transcriptions |
for tenor viola da gamba |
Bach, J.S. (1685-1750) |
solo |
viol |
Baroque |
40 |
Allemande |
Violin Partita #2 |
Bach, J.S. (1685-1750) |
solo |
viol |
Baroque |
|
Corrente |
Violin Partita #1 |
Bach, J.S. (1685-1750) |
solo |
viol |
Baroque |
|
Twelve Fantasias for Viola da Gamba |
transcribed for tenor viola da gamba |
Telemann, Georg Philipp (1681-1767) |
solo |
viol |
Baroque |
43 |
Music for Solo Viola da Gamba |
from the Drexel 5871 manuscript, transcribed for tenor viola da gamba |
Abel, Carl Friedrich (1723-1787) |
solo |
viol |
Classical |
63 |
Twenty Canzonets |
Little Short Songs to Three Voyces (1593) - treble, tenor and bass viols |
Morley, Thomas (c. 1557-1602) |
trio |
viol |
Renaissance |
153 |
Gigue |
from Partita, BWV 825 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Adagio |
Concerto Grosso, Op. 6, No. 8 ("Christmas") |
Corelli, Arcangelo (1653-1713) |
solo |
guitar |
Baroque |
|
Pastorale |
Concerto Grosso, Op. 6, No. 8 ("Christmas") |
Corelli, Arcangelo (1653-1713) |
solo |
guitar |
Baroque |
|
Berceuse |
11 Pezzi Infantil |
Casella, Alfredo (1883-1947) |
solo |
guitar |
20th century |
|
Slow Air |
Suite of 6 Short Pieces |
Vaughan Williams (1872-1958) |
solo |
guitar |
20th century |
|
Menuet |
Pieces de Clavecin, Livre I |
DuPhly, Jacques (1715-1789) |
solo |
guitar |
Baroque |
|
Aria Prima |
Hexachordum Appolinis |
Pachelbel, Johann (1653-1706) |
solo |
guitar |
Baroque |
|
Orientale |
Op. 123, No. 9 |
Chaminade, Cecile (1857-1944) |
solo |
guitar |
Romantic |
|
Barcarolle |
Op. 123, No. 8 |
Chaminade, Cecile (1857-1944) |
solo |
guitar |
Romantic |
|
Romance |
Op. 123, No. 7 |
Chaminade, Cecile (1857-1944) |
solo |
guitar |
Romantic |
|
Gigue |
Op. 123, No. 6 |
Chaminade, Cecile (1857-1944) |
solo |
guitar |
Romantic |
|
Tarentelle |
Op. 123, No. 10 |
Chaminade, Cecile (1857-1944) |
solo |
guitar |
Romantic |
|
Air de Ballet |
Op. 123, No. 11 |
Chaminade, Cecile (1857-1944) |
solo |
guitar |
Romantic |
|
Siciliana |
10 Easy Pieces for Piano |
Tansman, Alexander (1897-1986) |
solo |
guitar |
20th century |
|
Pastorale |
|
Schmitt, Florent (1870-1958) |
solo |
guitar |
20th century |
|
Andantino espressivo |
20 Pieces faciles sur des melodies populaires polonaises |
Tansman, Alexander (1897-1986) |
solo |
guitar |
20th century |
|
Evenng Calm |
Op. 46, No. 2 |
Sibelius, Jean (1865-1957) |
solo |
guitar |
20th century |
|
Offertorio |
Op. 203, No. 2 |
Bottazzo, Luigi (1845-1924) |
solo |
guitar |
Romantic |
|
Comunione |
Op. 315 |
Bottazzo, Luigi (1845-1924) |
solo |
guitar |
Romantic |
|
Comunione |
Op. 203, No. 4 |
Bottazzo, Luigi (1845-1924) |
solo |
guitar |
Romantic |
|
Marcia Religiosa |
Laus tibi Christe |
Bottazzo, Luigi (1845-1924) |
solo |
guitar |
Romantic |
|
Ricercar |
[Ness #2] |
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Ricercar |
[Ness #15] |
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Fantasia da mon triste |
[Ness #36] |
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Ricercar |
[Ness #58] |
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Columbine |
|
Beach, Amy (1867-1944) |
solo |
guitar |
Romantic |
|
Praeludium |
Op. 62, No. 8 |
Scharwenka, Xaver |
solo |
guitar |
Romantic |
|
Mariam Matreum Virginem |
from Libre Vermell de Montserrat |
Anonymous |
solo |
guitar |
Medieval |
|
Wiegenlied (Lullaby) |
Op. 49, No. 4 |
Brahms, Johannes (1833-1897) |
solo |
guitar |
Romantic |
|
Rose, liz, printemps, verdure |
|
Guillaume de Machaut (1300-1377) |
solo |
guitar |
Medieval |
|
Forlorn Hope Fancy |
|
Dowland, John (1563-1626) |
solo |
guitar |
Renaissance |
|
Lacrimae |
|
Dowland, John (1563-1626) |
solo |
guitar |
Renaissance |
|
Semper Dowland, semper dolens |
|
Dowland, John (1563-1626) |
solo |
guitar |
Renaissance |
|
A Fancy |
|
Dowland, John (1563-1626) |
solo |
guitar |
Renaissance |
|
Air |
from Water Music |
Handel, Georg Friederich (1685-1759) |
solo |
guitar |
Baroque |
|
Allegro |
from Water Music |
Handel, Georg Friederich (1685-1759) |
solo |
guitar |
Baroque |
|
Aria |
from Water Music |
Handel, Georg Friederich (1685-1759) |
solo |
guitar |
Baroque |
|
Gigue |
Lute Suite V |
Weiss, Sylvius Leopold (1686-1750) |
solo |
guittar |
Baroque |
|
Suite XVII |
|
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Suite V |
|
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Gigue |
from Suite XI |
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Allemande |
from Suite XI |
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Lute Suite, BWV 996 |
|
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Capona |
D'Intavolatura di Chitarone, Libro Quatro, 1640 |
Kapsberger, Giovanni Girolamo (1580-1651) |
solo |
guitar |
Baroque |
|
Retour du Printemps |
Op. 41bis, No. 2 |
Koechlin, Charles (1867-1950) |
solo |
guitar |
Impressionist |
|
Pavane |
Op. 50 |
Faure, Gabriel (1845-1924) |
solo |
guitar |
Impressionist |
|
Courante |
from Suite XVIII in the London manuscript |
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Courante |
from Suite I in the London manuscript |
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Fantasie |
A miscellaneous piece from the London manuscript |
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
My Lady Carey's Dompe |
originally for keyboard |
Anonymous (early 16th century) |
solo |
guitar |
Renaissance |
|
Gigue |
Lute Suite, BWV 996 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude 2 |
|
Gershwin, George (1989-1937) |
solo |
guitar |
20th Century |
|
Four Fantasias-tablature |
|
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Brandenburg Concerto #3 |
Arranged for guitar quartet |
Bach, J.S. (1685-1750) |
quartet |
guitar |
Baroque |
|
Sonatina in G |
Anh. 5, No. 1 |
Beethoven, Ludwig van (1770-1827) |
solo |
guitar |
Classical |
|
Nachmittags-Stille |
|
Jensen, Adolf (1837-1897) |
solo |
guitar |
Romantic |
|
Albumblatt |
Op. 26 |
Hofle, Paul |
solo |
guitar |
Romantic |
|
Grandmere Raconte Une Histoire |
|
Renie, Henriette (1875-1956) |
solo |
guitar |
Romantic |
|
Oriental |
|
Holy, Alfred (1868-1948) |
solo |
guitar |
20th Century |
|
Got a Happy Feelin' |
|
Lawes, Frank |
solo |
guitar |
20th Century |
|
Cute An' Catchy |
|
Lawes, Frank |
solo |
guitar |
20th Century |
|
Petite Valse |
|
Renie, Henriette (1875-1956) |
solo |
guitar |
Romantic |
|
Ground in C Minor |
Harpsichord Suite #3 |
Croft, William (1678-1727) |
solo |
guitar |
Baroque |
|
III. Alla Mazurka |
from String Quartet, Op. 26 |
Glazunov, Alexander (1865-1936) |
duet |
guitar |
Romantic |
|
Chanson du Pecheur |
Op. 61d, No. 4 |
Koechlin, Charles (1867-1950) |
solo |
guitar |
Impressionist |
|
Souvenir de Rocquencourt |
|
Cohen, Jules (1830-1901) |
solo |
guitar |
Romantic |
|
Tendresse |
Pages Enfantines |
Cohen, Jules (1830-1901) |
solo |
guitar |
Romantic |
|
Petit Rondo |
Pages Enfantines |
Cohen, Jules (1830-1901) |
solo |
guitar |
Romantic |
|
Jeune Age |
Pages Enfantines |
Cohen, Jules (1830-1901) |
solo |
guitar |
Romantic |
|
Untitled |
12 Pecas Caracteristicas |
Miguez, Leopoldo (1850-1902) |
solo |
guitar |
Romantic |
|
Ricordo di Lugano |
Barcarola |
Catalani, Alfredo (1854-1893) |
solo |
guitar |
Romantic |
|
Ciacona |
|
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Capriccio |
|
Weiss, Sylvius Leopold (1686-1750) |
solo |
guitar |
Baroque |
|
Allegro |
Sonata in A minor for Cello and Basso Continuo |
Vivaldi, Antonio (1687-1741) |
solo |
guitar |
Baroque |
|
Sing Joyfully |
|
Byrd, William (1540-1623) |
trio |
guitar |
Renaissance |
|
Confiteor |
Mass in B minor |
Bach, J.S. (1685-1750) |
trio |
guitar |
Baroque |
|
Bourree alla Polacca |
|
Telemann, Georg Philipp (1681-1767) |
solo |
guitar |
Baroque |
|
The Sick Doll |
Music for Children, Op. 39 |
Tchaikovsky, Piotr Ilich (1840-1893) |
solo |
guitar |
Romantic |
|
The New Doll |
Music for Children, Op. 39 |
Tchaikovsky, Piotr Ilich (1840-1893) |
solo |
guitar |
Romantic |
|
Morning Prayer |
Music for Children, Op. 39 |
Tchaikovsky, Piotr Ilich (1840-1893) |
solo |
guitar |
Romantic |
|
June (Barcarolle) |
|
Tchaikovsky, Piotr Ilich (1840-1893) |
solo |
guitar |
Romantic |
|
Old French Song |
Music for Children, Op. 39 |
Tchaikovsky, Piotr Ilich (1840-1893) |
solo |
guitar |
Romantic |
|
The Doll's Burial |
Music for Children, Op. 39 |
Tchaikovsky, Piotr Ilich (1840-1893) |
solo |
guitar |
Romantic |
|
In Church |
Music for Children, Op. 39 |
Tchaikovsky, Piotr Ilich (1840-1893) |
solo |
guitar |
Romantic |
|
Prelude |
Op.11, No.22 |
Scriabin, Alexander (1872-1915) |
solo |
guitar |
20th Century |
|
Ave Maria |
key of D major |
Schubert, Franz (1797-1828) |
duet |
voice-guitar |
Classical |
|
Ave Maria |
key of A major |
Schubert, Franz (1797-1828) |
duet |
voice-guitar |
Classical |
|
Sonata |
K 96 |
Scarlatti, Domenico (1685-1757) |
solo |
guitar |
Baroque |
|
Sonata |
K 322 |
Scarlatti, Domenico (1685-1757) |
solo |
guitar |
Baroque |
|
Sonata |
K 113 |
Scarlatti, Domenico (1685-1757) |
solo |
guitar |
Baroque |
|
Je te veux |
|
Satie, Erik (1866-1925) |
solo |
guitar |
Romantic |
|
Danse de travers |
|
Satie, Erik (1866-1925) |
solo |
guitar |
Romantic |
|
Ricercare 12 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 11 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 10 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 9 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 8 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 7 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 6 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 5 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 4 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 3 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 2 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Ricercare 1 |
|
Galilei, Vincenzo (1520-1591) |
duet |
lute |
Renaissance |
|
Prelude |
|
Ravel, Maurice (1875-1937) |
solo |
guitar |
20th Century |
|
Gigue |
|
Pachelbel, Johann (1653-1706) |
quartet |
guitar |
Baroque |
|
Carol of the Bells |
|
Leontovych, Mykola (1877-1921) |
quartet |
guitar |
Romantic |
|
Little Fugue in G minor |
BWV 578 |
Bach, J.S. (1685-1750) |
quartet |
guitar |
Baroque |
|
Gavotte |
Classical Symphony |
Prokofiev, Sergei (1891-1953) |
solo |
guitar |
20th Century |
|
Allegretto |
Piano Sonata, K.570 |
Mozart, Wolfgang Amadeus (1756-1791) |
solo |
guitar |
Classical |
|
Adagio |
Piano Sonata, K.570 |
Mozart, Wolfgang Amadeus (1756-1791) |
solo |
guitar |
Classical |
|
Allegro |
Piano Sonata, K.570 |
Mozart, Wolfgang Amadeus (1756-1791) |
solo |
guitar |
Classical |
|
Adagio |
Piano Sonata, K.332 |
Mozart, Wolfgang Amadeus (1756-1791) |
solo |
guitar |
Classical |
|
Thirsis, Let Pity Move Thee |
20 Canzonets |
Morley, Thomas (c. 1557-1602) |
solo |
guitar |
Renaissance |
|
Fantasia Quinta |
|
Molinaro, Simone (1565-1615) |
solo |
guitar |
Renaissance |
|
Fantasia XII |
|
Molinaro, Simone (1565-1615) |
solo |
guitar |
Renaissance |
|
Andante Sostenuto |
Op.72, No.2 |
Mendelssohn, Felix (1809-1847) |
solo |
guitar |
Romantic |
|
Song Without Words |
Op. 19, No. 1 |
Mendelssohn, Felix (1809-1847) |
solo |
guitar |
Romantic |
|
Saltarello |
Op. 10 |
Massenet, Jules (1842-1912) |
solo |
guitar |
Romantic |
|
Meditation |
the opera Thais |
Massenet, Jules (1842-1912) |
solo |
guitar |
Romantic |
|
Je m'en suis alle vers l'amour |
|
Massenet, Jules (1842-1912) |
solo |
guitar |
Impressionist |
|
Elégie |
|
Massenet, Jules (1842-1912) |
solo |
guitar |
Romantic |
|
Allegro |
Sonata in A minor for Cello and Basso Continuo |
Vivaldi, Antonio (1687-1741) |
solo |
lute |
Baroque |
|
Toccata 2 |
Book 3 for chitaronne |
Kapsberger, Giovanni Girolamo (1580-1651) |
solo |
lute |
Baroque |
|
Toccata 3 |
Book 3 for chitaronne |
Kapsberger, Giovanni Girolamo (1580-1651) |
solo |
lute |
Baroque |
|
Rose, liz, printemps, verdure |
|
Guillaume de Machaut (1300-1377) |
duet |
lute |
Medieval |
|
Rose, liz, printemps, verdure |
|
Guillaume de Machaut (1300-1377) |
solo |
lute |
Medieval |
|
Rondeau 7 |
|
Guillaume de Machaut (1300-1377) |
solo |
lute |
Medieval |
|
Regna Terrae |
|
Molinaro, Simone (1565-1615) |
duet |
lute |
Renaissance |
|
Plus Nulz Regrets |
|
de Pres, Josquin (1440-1521) |
solo |
lute |
Renaissance |
|
Fantasia XII |
|
Molinaro, Simone (1565-1615) |
solo |
lute |
Renaissance |
|
Mille Regrets |
|
de Pres, Josquin (1440-1521) |
solo |
lute |
Renaissance |
|
The Manchester Gamba Book |
|
Various |
solo |
lute |
Renaissance |
|
O Magnum Mysterium |
|
de Victoria, Tomas Luis (1548-1611) |
duet |
lute |
Renaissance |
|
Seven Toccatas |
Libro Terzo d'Intavolatura di Chitaronne |
Kapsberger, Giovanni Girolamo (1580-1651) |
solo |
lute |
Renaissance |
|
Four Polyphonic Songs |
|
Binchois, Gilles (1400-1460) |
solo |
lute |
Renaissance |
|
Fair Phyllis I Saw |
|
Farmer, John (1560-?) |
duet |
lute |
Renaissance |
|
Mysterious Barricades |
|
Couperin, Francois (1668-1733) |
solo |
guitar |
Baroque |
|
Aria detto Balletto |
|
Frescobaldi, Girolamo (1583-1643) |
solo |
lute |
Renaissance |
|
Ave Verum Corpus |
|
Byrd, William (1540-1623) |
duet |
lute |
Renaissance |
|
Allegez Moy |
|
de Pres, Josquin (1440-1521) |
duet |
lute |
Renaissance |
|
Cradle Song |
|
Liszt, Franz (1811-1886) |
solo |
guitar |
Romantic |
|
Consolation |
|
Liszt, Franz (1811-1886) |
solo |
guitar |
Romantic |
|
Prelude |
|
Kuhnau, Johann (1660-1722) |
solo |
guitar |
Baroque |
|
Toccata 4 |
|
Kapsberger, Giovanni Girolamo (1580-1651) |
solo |
guitar |
Renaissance |
|
Sarabande |
HWV 434 |
Handel, Georg Friederich (1685-1759) |
solo |
guitar |
Baroque |
|
Menuetto |
HWV 434 |
Handel, Georg Friederich (1685-1759) |
solo |
guitar |
Baroque |
|
Courante |
HWV 441 |
Handel, Georg Friederich (1685-1759) |
solo |
guitar |
Baroque |
|
Puck |
Op.71, No.3 |
Grieg, Edvard Hagerup (1843-1907) |
solo |
guitar |
Romantic |
|
A une Jeune Fille |
|
Gounod, Charles (1818-1893) |
solo |
guitar |
Impressionist |
|
Fantasia XV |
|
Gostena, G.B della (c. 1540-1598) |
solo |
guitar |
Renaissance |
|
Fantasia XXV |
|
Gostena, G.B della (c. 1540-1598) |
solo |
guitar |
Renaissance |
|
Dance of the Blessed Spirits |
|
Gluck, Christoph Willibald von (1714-1787) |
solo |
guitar |
Baroque |
|
Ballet |
the opera Orfeo ed Euridice |
Gluck, Christoph Willibald von (1714-1787) |
solo |
guitar |
Baroque |
|
Fugue |
|
Glinka, Mikhail (1804-1857) |
solo |
guitar |
Romantic |
|
Aria detto Balletto |
|
Frescobaldi, Girolamo (1583-1643) |
solo |
guitar |
Renaissance |
|
Le Plus Doux Chemin |
|
Faure, Gabriel (1845-1924) |
solo |
guitar |
Impressionist |
|
Mai |
|
Faure, Gabriel (1845-1924) |
solo |
guitar |
Impressionist |
|
Apres un Reve |
|
Faure, Gabriel (1845-1924) |
solo |
guitar |
Impressionist |
|
Andante |
Piano Suite Op. 98 |
Dvorak, Antonin (1906) |
solo |
guitar |
20th Century |
|
Prelude 15 |
Well Tempered Clavier, Book 2 |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Prelude 11 |
Well Tempered Clavier, Book 1 |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Rondo |
Serenade in B flat, K 361 |
Mozart, Wolfgang Amadeus (1756-1791) |
duet |
guitar |
Classical |
|
Lord Willobies Welcome Home |
|
Byrd, William (1540-1623) |
duet |
guitar |
Renaissance |
|
Jesus Christus, Unser Heiland |
45 Organ Chorales |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Presto |
Italian Concerto |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Harp Concerto |
Op. 4, No. 6 |
Handel, Georg Friederich (1685-1759) |
duet |
guitar |
Baroque |
|
Fugue V |
Well Tempered Clavier |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Fugue 13 |
Well Tempered Clavier |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Sarabande |
French Suite #1 |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Et in Spiritum |
Mass in B minor |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Canon in D Major |
|
Pachelbel, Johann (1653-1706) |
duet |
guitar |
Baroque |
|
Ist Eine Vorstellung? |
BWV 992 |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Bransle de Saint Nicholas |
|
Polak, Jacob (1545-1605) |
duet |
guitar |
Renaissance |
|
Little Fugue in G minor |
BWV 578 |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Alle Menschen Mussen Sterben |
45 Organ Chorales |
Bach, J.S. (1685-1750) |
duet |
guitar |
Baroque |
|
Ricercar |
[Ness #40] |
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Ricercar |
[Ness #30] |
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Ricercar |
[Ness #28] |
Francesco Da Milano (1497-1543) |
solo |
guitar |
Renaissance |
|
Ricercar |
|
Dall'Aquila, Marco (ca. 1470-after 1537) |
solo |
guitar |
Renaissance |
|
Mysterious Barricades |
|
Couperin, Francois (1668-1733) |
solo |
guitar |
Baroque |
|
Apaisement |
|
Chausson, Ernest (1855-1899) |
solo |
guitar |
Romantic |
|
Elegie |
|
Chaminade, Cecile (1857-1944) |
solo |
guitar |
Romantic |
|
In Sogno |
|
Catalani, Alfredo (1854-1893) |
solo |
guitar |
Romantic |
|
Twenty Canzonets |
or Little Short Songs to Three Voices |
Morley, Thomas (c. 1557-1602) |
solo |
guitar |
Renaissance |
|
Allegro Vivace |
Op. 105, No. 10 |
Bergmuller, Johann Friedrich (1806-1874) |
solo |
guitar |
Romantic |
|
Waltz |
Op. 39, No. 9 |
Brahms, Johannes (1833-1897) |
solo |
guitar |
Romantic |
|
Waltz |
Op. 39, No. 11 |
Brahms, Johannes (1833-1897) |
solo |
guitar |
Romantic |
|
Sarabande 2 |
|
Brahms, Johannes (1833-1897) |
solo |
guitar |
Romantic |
|
Sarabande 1 |
|
Brahms, Johannes (1833-1897) |
solo |
guitar |
Romantic |
|
Intermezzo |
Op. 116, No. 5 |
Brahms, Johannes (1833-1897) |
solo |
guitar |
Romantic |
|
Pastel |
|
Bizet, Georges (1838-1875) |
solo |
guitar |
Romantic |
|
Andante |
Piano Sonata No. 10 |
Beethoven, Ludwig van (1770-1827) |
solo |
guitar |
Classical |
|
Prelude 24 |
Well Tempered Clavier, Book 2 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude 12 |
Well Tempered Clavier, Book 2 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude 23 |
Well Tempered Clavier, Book 1 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude 21 |
Well Tempered Clavier, Book 1 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude 19 |
Well Tempered Clavier, Book 1 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Largo |
Violin Sonata No. 3 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Sleepers, Awake! |
|
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude 13 |
Well Tempered Clavier, Book 1 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude 9 |
Well Tempered Clavier, Book 1 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude |
Notebook for Wilhelm Friedman Bach, BWV 928 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Prelude |
Lute Suite No.4, BWV 1006a |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Arioso |
BWV 992 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Ich ruf' dir, Herr Jesu Christ |
BWV 639 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Aria del Postiglione |
BWV 992 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|
Air |
Orchestral Suite No. 3 |
Bach, J.S. (1685-1750) |
solo |
guitar |
Baroque |
|