397 scores
| Title | Subtitle | Composer | Players | Instrument | Period | Pages |
|---|---|---|---|---|---|---|
| Twenty Canzonets | Little Short Songs to Three Voyces (1593) - treble, tenor, tenor viol consort. | Morley, Thomas (c. 1557-1602) | trio | viol | Renaissance | 71 |
| Mass for Three Voices, 1593 | Arranged for treble, treble and tenor viol consort. | Byrd, William (1540-1623) | trio | viol | Renaissance | 18 |
| 11 Three-part Fantasias | Arranged for viol consort: treble, tenor and bass or treble, tenor and tenor | Bassano, Giovanni (1558-1617) | trio | viol | Baroque | 69 |
| 21 Three-part Fantasias | Arranged for treble, treble and tenor viol consort. | Jenkins, John (1592-1678) | trio | viol | Baroque | 256 |
| Laudate Dominum Omnes Gentes | from Magnum opus musicum (Munich 1604), LV 1122 | Orlando di Lasso (1532-1594) | 12 parts | viol | Renaissance | 67 |
| Nine Benedictus | Arranged for three viols, from masses by Morales | Morales, Cristóbal de (c.1500-1553) | trio | viol | Renaissance | 18 |
| Venetia Mundi Splendor | Arranged for three viols | Johannes Ciconia (1370-1412) | trio | viol | Medieval | 16 |
| Una Panthera | Arranged for three viols | Johannes Ciconia (1370-1412) | trio | viol | Medieval | 20 |
| Quid Tu Vides | Arranged for three viols (two versions) | Pérotin (1160-1230) | trio | viol | Medieval | 6 |
| Triplum Organum | Arranged for three viols | Pérotin (1160-1230) | trio | viol | Medieval | 3 |
| Ave Maris Stella | Arranged for three viols (two versions) | Pérotin (1160-1230) | trio | viol | Medieval | 12 |
| Espoir | Philippus de Caserta (1350-1420) | trio | viol | Medieval | 3 | |
| 2 Three-Part Fantasias | For various combinations of three viols | Holborne, Anthony (1545-1602) | trio | viol | Renaissance | 12 |
| 7 Three-Part Fantasias | For various combinations of viols | du Caurroy, Eustache (1549–1609) | trio | viol | Renaissance | 73 |
| 19 Three-Part Fantasias | For various combinations of viols | Lupo, Thomas (1571-1627) | trio | viol | Renaissance | 84 |
| Fantasia No. 4 with great double bass | Arranged for treble, tenor and six-string bass viol. | Gibbons, Orlando (1583-1625) | trio | viol | Renaissance | 8 |
| Fantasia, VdGS #1 | for three viols | Gibbons, Orlando (1583-1625) | trio | viol | Renaissance | 4 |
| Fantasia, VdGS #4 | for three viols | Gibbons, Orlando (1583-1625) | trio | viol | Renaissance | 8 |
| Fantasia, VdGS #3 | for three viols | Gibbons, Orlando (1583-1625) | trio | viol | Renaissance | 8 |
| Domine, Deus Meus | For three viols | Lasso, Orlando di (1532-1594) | trio | viol | Renaissance | 4 |
| Fantasia, VdGS #2 | for three viols | Gibbons, Orlando (1583-1625) | trio | viol | Renaissance | 10 |
| D'ung aultre amer | For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 70v-71r | Agricola, Alexander (c.1446-1506) | trio | viol | Renaissance | 3 |
| Amours amours | For tenor, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r | Agricola, Alexander (c.1446-1506) | trio | viol | Renaissance | 3 |
| Amours amours | For treble, tenor and bass viol, Instrumentale Fantasien, Basevi 61v-62r | Agricola, Alexander (c.1446-1506) | trio | viol | Renaissance | 3 |
| Ricercar Decimo | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 6 |
| Ricercar Ottavo | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 17 |
| Ricercar Settimo | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 15 |
| Ricercar Sesto | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 15 |
| Ricercar Quinto | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 17 |
| Ricercar Quarto | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 19 |
| Ricercar Terzo | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 34 |
| Ricercar Segondo | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 30 |
| Ricercar Primo | Fantesie Recercari Contrapunti à 3, 1559 | Willaert, Adrian (c. 1490-1562) | trio | viol | Renaissance | 16 |
| Three Fantasias for Three Viols | Large staff scores for ancient eyes | Purcell, Henry (1659-1695) | trio | viol | Baroque | 16 |
| 30 Irish, English and Scottish Dances | Transcribed for solo viola da gamba (treble, tenor or bass) | Traditional | solo | viol | Traditional | 73 |
| Fugue in G Major, KV 443 | Originally for violin, viola and cello. Arranged for treble, tenor and bass viols. | Mozart, Wolfgang Amadeus (1756-1791) | trio | viol | Classical | 4 |
| Triosonate F-dur, Twv 42: F7 | Arranged for treble, treble and bass viol. | Telemann, Georg Philip | trio | viol | Baroque | 8 |
| Trio Sonata, Op.2, No.2 | originally for two violins and bass | Loeillet, Jean-Baptiste (1688-1720) | trio | viol | Baroque | 14 |
| Trio Sonata, Op.2, No.1 | originally for two violins and bass | Loeillet, Jean-Baptiste (1688-1720) | trio | viol | Baroque | 8 |
| Trio for Two Violins and Viola da Gamba | Arranged for two treble viols and bass viol. Score and parts. | Bach, J.S. (1685-1750) | trio | viol | Baroque | 12 |
| 12 Trio Sonatas, Op. 1 | Originally for two violins and bass. Transcribed for treble, treble and bass viol consort. | Corelli, Arcangelo (1653-1713) | trio | viol | Baroque | 89 |
| Sonatas of Four Parts | 10 Sonatas, originally for two violins, bass and continuo, Z. 802-811. | Purcell, Henry (1659-1695) | trio | viol | Baroque | 97 |
| Sonatas of Three Parts | 12 Sonatas, originally for two violins and cello, Z. 790-801. | Purcell, Henry (1659-1695) | trio | viol | Baroque | 99 |
| 23 Five-Part Madrigals | From Madrigali a 5 voci, libro sesto, 1611. Transcribed for viol consort. | Gesualdo, Carlo (1566-1613) | quintet | viol | Renaissance | 86 |
| 12 Trio Sonatas, Op. 2 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Corelli, Arcangelo (1653-1713) | trio | viol | Baroque | 68 |
| 12 Trio Sonatas, Op. 3 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Corelli, Arcangelo (1653-1713) | trio | viol | Baroque | 102 |
| 12 Trio Sonatas, Op. 4 | Originally for two violins and violone. Transcribed for treble, treble and bass viol consort. | Corelli, Arcangelo (1653-1713) | trio | viol | Baroque | 80 |
| Balletti, Correnti, Gighe, e Sarabande à trè due Violini e Violone | Arranged for treble, treble and tenor or bass viol consort. | Piazzi, Carlo | trio | viol | Baroque | 83 |
| 22 Three-Voice Madrigals | From Cantiones trium vocum, 1608. Transcribed for treble, treble or tenor, and bass viol consort. | Aagesen, Truid (fl. 1593–1625) | trio | viol | Renaissance | 78 |
| 16 Easy Madrigals | From Balletti a Tre Voci, 1594. | Gastoldi, Giovanni (c. 1554-1609) | trio | viol | Renaissance | 34 |
| 19 Three-Voice Madrigals | From Madrigaletti a tre voci, 1619 | Brachrogge, Hans (1590-1638) | trio | viol | Renaissance | 35 |
| 11 Three-Voice Madrigals | From Libro primo de madrigali a 3 voci, 1575 | Gabrieli, Andrea (c.1532-1585) | trio | viol | Renaissance | 63 |
| 15 Three-Voice Motets | From Liber Mottetarum 3 Vocum, 1575. Transcribed for treble, tenor and bass viol consort. | Lasso, Orlando di (1532-1594) | trio | viol | Renaissance | 50 |
| 7 Three-Voice Madrigals | Transcribed for treble, tenor, and bass viol consort. | Merulo, Claudio (1533-1604) | trio | viol | Renaissance | 16 |
| 9 Three-Voice Motets | From Gradualia I, 1605. | Byrd, William (1540-1623) | trio | viol | Renaissance | 27 |
| 13 Three-Voice Motets | From Moduli Trium Vocum, 1597 | Tollius, Jan (c.1550-1620) | trio | viol | Renaissance | 36 |
| Six Three-Voice Secular Madrigals | The First Set of English Madrigals to 3-6 voices, 1598. | Bateson, Thomas (1570-1630) | trio | viol | Renaissance | 10 |
| 39 Secular Chansons | from La Fleur des chansons a 3, Pierre Phalèse, 1574. | de Castro, Jean (c. 1540-c. 1600) | trio | viol | Renaissance | 84 |
| A satyr once did run away | Transcribed for treble, treble, tenor and bass viol consort. | Ward, John (1571-1638) | quartet | viol | Renaissance | 2 |
| Seigneur enten ma requeste | Transcribed for treble, tenor, tenor and bass viol consort. | Sweelinck, Jan Pieterszoon (1562-1621) | quartet | viol | Renaissance | 2 |
| Christe totius dominator orbis | Transcribed for treble, tenor, tenor and bass viols | Richafort, Jean (1480 -1547) | quartet | viol | Renaissance | 7 |
| Madrigals to Four Voices | Transcribed for treble, treble, tenor and bass viol consort. | Morley, Thomas (c. 1557-1602) | quartet | viol | Renaissance | 62 |
| Madrigals to Four Voices | Transcribed for treble, tenor, tenor and bass viol consort. | Morley, Thomas (c. 1557-1602) | quartet | viol | Renaissance | 67 |
| Puer natus est nobis | Transcribed for treble, tenor and bass viol consort. | Morales, Cristóbal de (c.1500-1553) | trio | viol | Renaissance | 2 |
| Si no os hubiera mirado | Transcribed for treble, tenor and bass viol consort. | Morales, Cristóbal de (c.1500-1553) | trio | viol | Renaissance | 1 |
| Messa da Capella a quattro voci (1641) | Transcribed for treble, tenor, tenor, and bass viol consort. | Monteverdi, Claudio (1567-1643) | quartet | viol | Renaissance | 56 |
| En l'ombre d'un buissonnet | Transcribed for treble, tenor and bass viol consort | Josquin des Prez (c. 1450-1521) | trio | viol | Renaissance | 2 |
| Mass | Transcribed for treble, treble/tenor, tenor and bass viol consort. | Cabezón, Antonio de (1510-1566) | quartet | viol | Renaissance | 7 |
| 8 Short Pieces | Rondeaux, Motets and Ballades. Transcribed for treble, tenor and bass viol consort. | Gilles Binchois | trio | viol | Renaissance | 9 |
| Come Heavy Sleep | Transcribed from the lute tablature for treble, tenor, and bass viol consort. | Dowland, John (1563-1626) | trio | viol | Renaissance | 1 |
| Farewell | Transcribed from the lute tablature for treble, tenor, and bass viol consort. | Dowland, John (1563-1626) | trio | viol | Renaissance | 13 |
| 13 Four-Voice Chorales | Transcribed for treble, tenor, tenor, and bass viol consort. | Bach, J.S. (1685-1750) | quartet | viol | Baroque | 16 |
| Miserere Mei | Transcribed for treble, tenor, tenor and bass viol consort | Scarlatti, Alessandro (1660-1725) | quartet | viol | Baroque | 3 |
| 14 Three-voice Madrigals and Motets | Transcribed for treble, tenor and bass viol consort | Monteverdi, Claudio (1567-1643) | trio | viol | Baroque | 23 |
| 10 Three-Voice Madrigals | 16th Century | Gero, Jhan (fl. 1540-1555) | trio | viol | Renaissance | 22 |
| Il Primo Libro de Madrigali, 1533 | Transcribed for treble, tenor, tenor and bass viol consort. 59 pages. | Verdelot, Philippe (c. 1480- c. 1530) | quartet | viol | Renaissance | 59 |
| Western Wind Mass | Transcribed for treble, tenor, tenor and bass viol consort. | Taverner, John (!1490-1545) | quartet | viol | Renaissance | 61 |
| Missa Lauda Sion | Missarum liber quartus, 1582 | Palestrina, G. P. da (c. 1525-1594) | quartet | viol | Renaissance | 17 |
| Missa Iste Confessor | Missarum liber quintus, 1590 | Palestrina, G. P. da (c. 1525-1594) | quartet | viol | Renaissance | 18 |
| Missa Emendemus | Missarum liber septimus, 1594 | Palestrina, G. P. da (c. 1525-1594) | quartet | viol | Renaissance | 17 |
| Motecta Festorum for Four Voices, Book Two, 1587 | Transcribed for treble, tenor, tenor and bass viol consort. 78 pages. | Palestrina, G. P. da (c. 1525-1594) | quartet | viol | Renaissance | 78 |
| Motecta Festorum for Four Voices, Book One, 1564 | Transcribed for treble, tenor, tenor and bass viol consort. 136 pages. | Palestrina, G. P. da (c. 1525-1594) | quartet | viol | Renaissance | 139 |
| Madrigali a quattro voci libro primo, 1585 | Transcribed for treble, tenor, tenor and bass consort. 90 pages. | Marenzio, Luca (1553-1599) | quartet | viol | Renaissance | 90 |
| 21 Psalms, Motets and Madrigals | Transcribed for treble, tenor, tenor and bass viol consort. 31 pages. | Farmer, John (1570?-1605) | quartet | viol | Renaissance | 31 |
| 5 Four-Voice Madrigals | Transcribed for treble, tenor, tenor and bass viol consort. 11 pages. | Weelkes, Thomas (1575 -1623) | quartet | viol | Renaissance | 13 |
| 18 Madrigals | from Ayres or Phantasticke Spirits for Three Voices (1608). Transcribed for treble, tenor and bass viol consort. | Weelkes, Thomas (1575 -1623) | trio | viol | Renaissance | 23 |
| 10 Three-Voice Anthems | Transcribed for treble, tenor and bass viol consort. 21 pages. | Tomkins, Thomas (1572-1656) | trio | viol | Renaissance | 21 |
| 12 Four-Voice Madrigals and Anthems | Transcribed for treble, tenor, tenor, and bass viol consort. 32 pages. | Tomkins, Thomas (1572-1656) | quartet | viol | Renaissance | 32 |
| 13 Three-Voice Madrigals | Transcribed for treble, tenor, and bass viol consort. 32 pages. | Wilbye, John (1574-1638) | trio | viol | Renaissance | 32 |
| 24 Easy Anthems, Motets and Carols | Transcribed for treble, tenor, tenor and bass viol consort Dick Yates. 30 pages. | Tye, Christopher (c. 1500-1573) | quartet | viol | Renaissance | 33 |
| 68 Songs, Madrigals, Hymns and Chorales | Transcribed for treble, tenor, tenor and bass viol consort. 100 pages. | Dowland, John (1563-1626) | quartet | viol | Renaissance | 100 |
| 33 Sacred Motets | Transcribed for treble, tenor, tenor and bass viol consort. 82 pages. | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 85 |
| Five Madrigals | Transcribed for treble, treble, tenor and bass viol consort | East, Michael (c.1580-1648) | quartet | viol | Renaissance | 13 |
| Four-Voice Sacred Motets | Transcribed for treble, treble, tenor, and bass viol consort | Byrd, William (1540-1623) | quartet | viol | Renaissance | 69 |
| Four-Voice Sacred Motets | Transcribed for treble, tenor, tenor, and bass viol consort | Byrd, William (1540-1623) | quartet | viol | Renaissance | 69 |
| Alleluia, ora pro Nobis | Sacred Motet | Tallis, Thomas (c. 1505-1585) | quartet | viol | Renaissance | 2 |
| 50 Chansons, Madrigals, Motets, and Lieder | Transcribed for treble, tenor, tenor and bass viol consort | Lasso, Orlando di (1532-1594) | quartet | viol | Renaissance | 110 |
| 50 Chansons, Madrigals, Motets, and Lieder | Transcribed for treble, treble, tenor and bass viol consort | Lasso, Orlando di (1532-1594) | quartet | viol | Renaissance | 100 |
| Alleluia Magnificat | Arranged for viol consort (treble, treble, tenor, bass). 3 pages. | Isaac, Heinrich (1450-1517) | quartet | viol | Renaissance | 3 |
| Tmeisken was jonck | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Isaac, Heinrich (1450-1517) | quartet | viol | Renaissance | 2 |
| Mein Freud allein | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Isaac, Heinrich (1450-1517) | quartet | viol | Renaissance | 2 |
| Innsbruck, ich muss dich lassen | Arranged for viol consort (treble, treble, tenor, bass). 2 pages. | Isaac, Heinrich (1450-1517) | quartet | viol | Renaissance | 2 |
| Donna di dentro di tua casa | Arranged for viol consort (treble, tenor, tenor, bass). 3 pages. | Isaac, Heinrich (1450-1517) | quartet | viol | Renaissance | 3 |
| Vere languores | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 3 |
| Tres sunt | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 3 |
| Senex puerum portabat | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 3 |
| Quam pulchri sunt | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 4 |
| Pueri Hebraeorum | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 3 |
| O decus apostolicum | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 3 |
| Miserere mei | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 1 |
| Hosanna filio David | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 1 |
| Ego sum panis vivus | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 4 |
| Ecce sacerdos magnus | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 2 |
| Domine, non sum dignus | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 2 |
| Doctor Bonus Amica Dei | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 3 |
| Beati Immaculati | Motet arranged for viol consort (treble, treble, tenor, bass). | Victoria, Tomas Luis de (1548-1611) | quartet | viol | Renaissance | 3 |
| Vultum Tuum | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 2 |
| Virgo Prudentissima | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 3 |
| Victimae Paschali Laudes | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 4 |
| Rubum Quem Viderat | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 2 |
| O Salutaris Hostia | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 1 |
| O Bone et Dulcis Domine Jesu | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 4 |
| Tu Pauperum Refugium | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 3 |
| In Flagellis Potem Fellis | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 2 |
| Christe, Fili Dei | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 3 |
| Benedicta Sit Creatrix | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 3 |
| Ave Maris Stella | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 8 |
| Alma Redemptoris Mater | Arranged for viol consort (treble, treble, treble, bass) | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 5 |
| Scaramella fa la guerra | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 2 |
| Mille regrets | Arranged for viol consort (treble, treble, tenor, bass). | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | |
| Fama malum | Arranged for viol consort (treble, treble, tenor, bass) | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 3 |
| Dulces exuviae | Arranged for treble, treble, tenor and bass viols. | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 3 |
| Angelus ad Pastores ait | Gabrieli, Andrea (c.1532-1585) | quartet | viol | Renaissance | 2 | |
| Sancta et Immaculata | Gabrieli, Andrea (c.1532-1585) | quartet | viol | Renaissance | ||
| Maria Magdalene | Gabrieli, Andrea (c.1532-1585) | quartet | viol | Renaissance | ||
| Gigue | Suite in A minor | von Westhoff, Johann Paul (1665-1705) | solo | viol | Baroque | |
| Seven Four-Voice Sacred Motets (TrTrTeBa) | Arranged for viol consort (treble, treble, tenor, tenor, bass) | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 46 |
| Six Sonatas for Two Cellos | Arranged for two bass viols | Chiabrano, Gaetano (1725-1802) | duet | viol | Classical | 36 |
| Six Sonatas for Two Cellos | Arranged for two treble viols | Chiabrano, Gaetano (1725-1802) | duet | viol | Classical | 36 |
| Six Sonatas for Two Cellos | Arranged for two tenor viols | Chiabrano, Gaetano (1725-1802) | duet | viol | Classical | 36 |
| Twelve Toccate for violoncello solo | Arranged for viola da gamba | Supriano, Francesco Paolo | solo | viol | Baroque | 66 |
| Seven Sonatas for Two Bass Viols | Op. 1 | Antoniotti, Giorgio (1692-1776) | duet | viol | Baroque | 49 |
| Seven Sonatas for Two Tenor Viols | Op. 1 | Antoniotti, Giorgio (1692-1776) | duet | viol | Baroque | 49 |
| Seven Sonatas for Two Treble Viols | Op. 1 | Antoniotti, Giorgio (1692-1776) | duet | viol | Baroque | 49 |
| Allegro Moderato | For tenor and tenor or bass viols | Gabriel Fauré (1845-1924) | duet | viol | Classical | 1 |
| Six Sonata Duets, Op. 8b | Arranged for two treble, or two tenor, or two bass viols | de Fesch, Willem (1687-1761) | duet | viol | Baroque | 99 |
| Six Sonata Duets, Op. 4b | Arranged for two treble, or two tenor, or two bass viols | de Fesch, Willem (1687-1761) | duet | viol | Baroque | 131 |
| Six Canonic Sonatas | Op. 5, TWV 40:118-123 | Telemann, Georg Philipp (1681-1767) | duet | viol | Baroque | 81 |
| Rose, Liz, Printemps, Verdure | Four-part rondeau | Guillaume de Machaut (1300-1377) | quartet | viol | Medieval | |
| Seven Four-Voice Sacred Motets (TrTeTeBa) | Arranged for viol consort (treble, tenor, tenor, bass) | Josquin des Prez (c. 1450-1521) | quartet | viol | Renaissance | 42 |
| Mass for Three Voices, 1593 | Arranged for viol consort: Treble-Tenor-Bass and Tenor-Tenor-Tenor | Byrd, William (1540-1623) | trio | viol | Baroque | 32 |
| 13 Four-voice Madrigals | Arranged for viol consort | Arcadelt, Jacques (1507-1568) | quartet | viol | Renaissance | 34 |
| Missa Rex Seculorum | Arranged for three viols | John Dunstaple (1390-1453) | trio | viol | Medieval | 47 |
| Barcelona Mass | 14th Century | Anonymous | trio | viol | Medieval | 24 |
| La Messe de Nostre Dame | Guillaume de Machaut (1300-1377) | quartet | viol | Medieval | 146 | |
| 7 Caprices | From 11 Capricci a violoncello solo | Joseph dall'Abaco (1710-1805) | solo | viol | Baroque | 40 |
| 15 Two-Voice Ballades | Transcribed for viola da gamba duo | Guillaume de Machaut (1300-1377) | duet | viol | Medieval | 60 |
| 26 Piccole Sonate | Selected Pieces arranged for viol | Tartini, Giuseppe (1692-1770) | solo | viol | Rococco | 48 |
| Three Suites | From The Compleat Violist, 1699 | Hely, Benjamin | solo | viol | Baroque | 26 |
| Mass for Five Voices | Byrd, William (1540-1623) | quintet | viol | Renaissance | 72 | |
| Sonata | L'Echo du Danube, Op.9, No.6. For tenor viol | Schenck, Johannes (1660-1712) | solo | viol | Baroque | 8 |
| Sonata | L'Echo du Danube, Op.9, No.5. For tenor viol | Schenck, Johannes (1660-1712) | solo | viol | Baroque | 5 |
| Sonata 5 | Transcribed from the Vienna Manuscript. For bass viol | Schenck, Johannes (1660-1712) | solo | viol | Baroque | 7 |
| Sonata 5 | Transcribed from the Vienna Manuscript. For tenor viol | Schenck, Johannes (1660-1712) | solo | viol | Baroque | 7 |
| Sonata 4 | Transcribed from the Vienna Manuscript. For tenor viol | Schenck, Johannes (1660-1712) | solo | viol | Baroque | 8 |
| Sonata 4 | Transcribed from the Vienna Manuscript. For bass viol | Schenck, Johannes (1660-1712) | solo | viol | Baroque | |
| Partita #3, BWV 1006 | Arranged for bass viol | Bach, J.S. (1685-1750) | solo | viol | Baroque | 13 |
| Ich ruf zu dir, Herr Jesu Christ | Chorale Prelude, BWV 639 | Bach, J.S. (1685-1750) | trio | viol | Baroque | |
| Partita #3, BWV 1006 | Arranged for tenor viol | Bach, J.S. (1685-1750) | solo | viol | Baroque | |
| Select Preludes | Originally for violin. Published by John Walsh, 1705. | Various | solo | viol | Baroque | 130 |
| Manchester Lyra Viol Book | 27 Bass Viol Solos in Violl Waye Tuning | Various | solo | viol | Baroque | 48 |
| Manchester Lyra Viol Book | 27 Tenor Viol Solos in Violl Waye Tuning | Various | solo | viol | Baroque | 48 |
| Manchester Lyra Viol Book | 27 Treble Viol Solos in Violl Waye Tuning | Various | solo | viol | Baroque | 48 |
| 24 Country Dances for the Year 1748 | For solo viol with optional bass. | Davis, T. | solo/duet | viol | Classical | 38 |
| Twenty Christmas Carols | Arranged for four viols | Various | quartet | viol | Various | 42 |
| Der Fluyten Lust-hof, Volume 1 | Arranged for tenor viol | Van Eyck, Jacob (1590-1657) | solo | viol | Baroque | 149 |
| Six Sonatas, arranged for two bass viols | Op. 2 (1727). TWV: 40:101-106 | Telemann, Georg Philipp (1681-1767) | duet | viol | Baroque | 153 |
| Six Sonatas, arranged for two tenor viols | Op. 2 (1727). TWV: 40:101-106 | Telemann, Georg Philipp (1681-1767) | duet | viol | Baroque | 153 |
| Six Sonatas, arranged for two treble viols | Op. 2 (1727). TWV: 40:101-106 | Telemann, Georg Philipp (1681-1767) | duet | viol | Baroque | 153 |
| Fantasie 11 | From 12 Fantasias for Violin without Bass TWV: 40:24 | Telemann, Georg Philipp (1681-1767) | solo | viol | Baroque | |
| Ricercate | per Violoncello o Clavicembalo, Op. 1 | Antonii, Giovanni Battista Degli (1636-1698) | solo | viol | Baroque | 103 |
| Seven Ricercares for Solo Cello | Arranged for treble, tenor or bass viol | Gabrieli, Domenico (1651-1690) | solo | viol | Baroque | 73 |
| 22 Viol Solos from J.S. Bach's Violin and Cello works | Primarily for tenor viol, but versions for bass and treble are included. | Bach, J.S. (1685-1750) | solo | viol | Baroque | 113 |
| J.S. Bach - Collected Transcriptions | for tenor viola da gamba | Bach, J.S. (1685-1750) | solo | viol | Baroque | 40 |
| Allemande | Violin Partita #2 | Bach, J.S. (1685-1750) | solo | viol | Baroque | |
| Corrente | Violin Partita #1 | Bach, J.S. (1685-1750) | solo | viol | Baroque | |
| Twelve Fantasias for Viola da Gamba | transcribed for tenor viola da gamba | Telemann, Georg Philipp (1681-1767) | solo | viol | Baroque | 43 |
| Music for Solo Viola da Gamba | from the Drexel 5871 manuscript, transcribed for tenor viola da gamba | Abel, Carl Friedrich (1723-1787) | solo | viol | Classical | 63 |
| Twenty Canzonets | Little Short Songs to Three Voyces (1593) - treble, tenor and bass viols | Morley, Thomas (c. 1557-1602) | trio | viol | Renaissance | 153 |
| Gigue | from Partita, BWV 825 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Adagio | Concerto Grosso, Op. 6, No. 8 ("Christmas") | Corelli, Arcangelo (1653-1713) | solo | guitar | Baroque | |
| Pastorale | Concerto Grosso, Op. 6, No. 8 ("Christmas") | Corelli, Arcangelo (1653-1713) | solo | guitar | Baroque | |
| Berceuse | 11 Pezzi Infantil | Casella, Alfredo (1883-1947) | solo | guitar | 20th century | |
| Slow Air | Suite of 6 Short Pieces | Vaughan Williams (1872-1958) | solo | guitar | 20th century | |
| Menuet | Pieces de Clavecin, Livre I | DuPhly, Jacques (1715-1789) | solo | guitar | Baroque | |
| Aria Prima | Hexachordum Appolinis | Pachelbel, Johann (1653-1706) | solo | guitar | Baroque | |
| Orientale | Op. 123, No. 9 | Chaminade, Cecile (1857-1944) | solo | guitar | Romantic | |
| Barcarolle | Op. 123, No. 8 | Chaminade, Cecile (1857-1944) | solo | guitar | Romantic | |
| Romance | Op. 123, No. 7 | Chaminade, Cecile (1857-1944) | solo | guitar | Romantic | |
| Gigue | Op. 123, No. 6 | Chaminade, Cecile (1857-1944) | solo | guitar | Romantic | |
| Tarentelle | Op. 123, No. 10 | Chaminade, Cecile (1857-1944) | solo | guitar | Romantic | |
| Air de Ballet | Op. 123, No. 11 | Chaminade, Cecile (1857-1944) | solo | guitar | Romantic | |
| Siciliana | 10 Easy Pieces for Piano | Tansman, Alexander (1897-1986) | solo | guitar | 20th century | |
| Pastorale | Schmitt, Florent (1870-1958) | solo | guitar | 20th century | ||
| Andantino espressivo | 20 Pieces faciles sur des melodies populaires polonaises | Tansman, Alexander (1897-1986) | solo | guitar | 20th century | |
| Evenng Calm | Op. 46, No. 2 | Sibelius, Jean (1865-1957) | solo | guitar | 20th century | |
| Offertorio | Op. 203, No. 2 | Bottazzo, Luigi (1845-1924) | solo | guitar | Romantic | |
| Comunione | Op. 315 | Bottazzo, Luigi (1845-1924) | solo | guitar | Romantic | |
| Comunione | Op. 203, No. 4 | Bottazzo, Luigi (1845-1924) | solo | guitar | Romantic | |
| Marcia Religiosa | Laus tibi Christe | Bottazzo, Luigi (1845-1924) | solo | guitar | Romantic | |
| Ricercar | [Ness #2] | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | |
| Ricercar | [Ness #15] | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | |
| Fantasia da mon triste | [Ness #36] | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | |
| Ricercar | [Ness #58] | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | |
| Columbine | Beach, Amy (1867-1944) | solo | guitar | Romantic | ||
| Praeludium | Op. 62, No. 8 | Scharwenka, Xaver | solo | guitar | Romantic | |
| Mariam Matreum Virginem | from Libre Vermell de Montserrat | Anonymous | solo | guitar | Medieval | |
| Wiegenlied (Lullaby) | Op. 49, No. 4 | Brahms, Johannes (1833-1897) | solo | guitar | Romantic | |
| Rose, liz, printemps, verdure | Guillaume de Machaut (1300-1377) | solo | guitar | Medieval | ||
| Forlorn Hope Fancy | Dowland, John (1563-1626) | solo | guitar | Renaissance | ||
| Lacrimae | Dowland, John (1563-1626) | solo | guitar | Renaissance | ||
| Semper Dowland, semper dolens | Dowland, John (1563-1626) | solo | guitar | Renaissance | ||
| A Fancy | Dowland, John (1563-1626) | solo | guitar | Renaissance | ||
| Air | from Water Music | Handel, Georg Friederich (1685-1759) | solo | guitar | Baroque | |
| Allegro | from Water Music | Handel, Georg Friederich (1685-1759) | solo | guitar | Baroque | |
| Aria | from Water Music | Handel, Georg Friederich (1685-1759) | solo | guitar | Baroque | |
| Gigue | Lute Suite V | Weiss, Sylvius Leopold (1686-1750) | solo | guittar | Baroque | |
| Suite XVII | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | ||
| Suite V | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | ||
| Gigue | from Suite XI | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | |
| Allemande | from Suite XI | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | |
| Lute Suite, BWV 996 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | ||
| Capona | D'Intavolatura di Chitarone, Libro Quatro, 1640 | Kapsberger, Giovanni Girolamo (1580-1651) | solo | guitar | Baroque | |
| Retour du Printemps | Op. 41bis, No. 2 | Koechlin, Charles (1867-1950) | solo | guitar | Impressionist | |
| Pavane | Op. 50 | Faure, Gabriel (1845-1924) | solo | guitar | Impressionist | |
| Courante | from Suite XVIII in the London manuscript | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | |
| Courante | from Suite I in the London manuscript | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | |
| Fantasie | A miscellaneous piece from the London manuscript | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | |
| My Lady Carey's Dompe | originally for keyboard | Anonymous (early 16th century) | solo | guitar | Renaissance | |
| Gigue | Lute Suite, BWV 996 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude 2 | Gershwin, George (1989-1937) | solo | guitar | 20th Century | ||
| Four Fantasias-tablature | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | ||
| Brandenburg Concerto #3 | Arranged for guitar quartet | Bach, J.S. (1685-1750) | quartet | guitar | Baroque | |
| Sonatina in G | Anh. 5, No. 1 | Beethoven, Ludwig van (1770-1827) | solo | guitar | Classical | |
| Nachmittags-Stille | Jensen, Adolf (1837-1897) | solo | guitar | Romantic | ||
| Albumblatt | Op. 26 | Hofle, Paul | solo | guitar | Romantic | |
| Grandmere Raconte Une Histoire | Renie, Henriette (1875-1956) | solo | guitar | Romantic | ||
| Oriental | Holy, Alfred (1868-1948) | solo | guitar | 20th Century | ||
| Got a Happy Feelin' | Lawes, Frank | solo | guitar | 20th Century | ||
| Cute An' Catchy | Lawes, Frank | solo | guitar | 20th Century | ||
| Petite Valse | Renie, Henriette (1875-1956) | solo | guitar | Romantic | ||
| Ground in C Minor | Harpsichord Suite #3 | Croft, William (1678-1727) | solo | guitar | Baroque | |
| III. Alla Mazurka | from String Quartet, Op. 26 | Glazunov, Alexander (1865-1936) | duet | guitar | Romantic | |
| Chanson du Pecheur | Op. 61d, No. 4 | Koechlin, Charles (1867-1950) | solo | guitar | Impressionist | |
| Souvenir de Rocquencourt | Cohen, Jules (1830-1901) | solo | guitar | Romantic | ||
| Tendresse | Pages Enfantines | Cohen, Jules (1830-1901) | solo | guitar | Romantic | |
| Petit Rondo | Pages Enfantines | Cohen, Jules (1830-1901) | solo | guitar | Romantic | |
| Jeune Age | Pages Enfantines | Cohen, Jules (1830-1901) | solo | guitar | Romantic | |
| Untitled | 12 Pecas Caracteristicas | Miguez, Leopoldo (1850-1902) | solo | guitar | Romantic | |
| Ricordo di Lugano | Barcarola | Catalani, Alfredo (1854-1893) | solo | guitar | Romantic | |
| Ciacona | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | ||
| Capriccio | Weiss, Sylvius Leopold (1686-1750) | solo | guitar | Baroque | ||
| Allegro | Sonata in A minor for Cello and Basso Continuo | Vivaldi, Antonio (1687-1741) | solo | guitar | Baroque | |
| Sing Joyfully | Byrd, William (1540-1623) | trio | guitar | Renaissance | ||
| Confiteor | Mass in B minor | Bach, J.S. (1685-1750) | trio | guitar | Baroque | |
| Bourree alla Polacca | Telemann, Georg Philipp (1681-1767) | solo | guitar | Baroque | ||
| The Sick Doll | Music for Children, Op. 39 | Tchaikovsky, Piotr Ilich (1840-1893) | solo | guitar | Romantic | |
| The New Doll | Music for Children, Op. 39 | Tchaikovsky, Piotr Ilich (1840-1893) | solo | guitar | Romantic | |
| Morning Prayer | Music for Children, Op. 39 | Tchaikovsky, Piotr Ilich (1840-1893) | solo | guitar | Romantic | |
| June (Barcarolle) | Tchaikovsky, Piotr Ilich (1840-1893) | solo | guitar | Romantic | ||
| Old French Song | Music for Children, Op. 39 | Tchaikovsky, Piotr Ilich (1840-1893) | solo | guitar | Romantic | |
| The Doll's Burial | Music for Children, Op. 39 | Tchaikovsky, Piotr Ilich (1840-1893) | solo | guitar | Romantic | |
| In Church | Music for Children, Op. 39 | Tchaikovsky, Piotr Ilich (1840-1893) | solo | guitar | Romantic | |
| Prelude | Op.11, No.22 | Scriabin, Alexander (1872-1915) | solo | guitar | 20th Century | |
| Ave Maria | key of D major | Schubert, Franz (1797-1828) | duet | voice-guitar | Classical | |
| Ave Maria | key of A major | Schubert, Franz (1797-1828) | duet | voice-guitar | Classical | |
| Sonata | K 96 | Scarlatti, Domenico (1685-1757) | solo | guitar | Baroque | |
| Sonata | K 322 | Scarlatti, Domenico (1685-1757) | solo | guitar | Baroque | |
| Sonata | K 113 | Scarlatti, Domenico (1685-1757) | solo | guitar | Baroque | |
| Je te veux | Satie, Erik (1866-1925) | solo | guitar | Romantic | ||
| Danse de travers | Satie, Erik (1866-1925) | solo | guitar | Romantic | ||
| Ricercare 12 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 11 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 10 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 9 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 8 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 7 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 6 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 5 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 4 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 3 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 2 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Ricercare 1 | Galilei, Vincenzo (1520-1591) | duet | lute | Renaissance | ||
| Prelude | Ravel, Maurice (1875-1937) | solo | guitar | 20th Century | ||
| Gigue | Pachelbel, Johann (1653-1706) | quartet | guitar | Baroque | ||
| Carol of the Bells | Leontovych, Mykola (1877-1921) | quartet | guitar | Romantic | ||
| Little Fugue in G minor | BWV 578 | Bach, J.S. (1685-1750) | quartet | guitar | Baroque | |
| Gavotte | Classical Symphony | Prokofiev, Sergei (1891-1953) | solo | guitar | 20th Century | |
| Allegretto | Piano Sonata, K.570 | Mozart, Wolfgang Amadeus (1756-1791) | solo | guitar | Classical | |
| Adagio | Piano Sonata, K.570 | Mozart, Wolfgang Amadeus (1756-1791) | solo | guitar | Classical | |
| Allegro | Piano Sonata, K.570 | Mozart, Wolfgang Amadeus (1756-1791) | solo | guitar | Classical | |
| Adagio | Piano Sonata, K.332 | Mozart, Wolfgang Amadeus (1756-1791) | solo | guitar | Classical | |
| Thirsis, Let Pity Move Thee | 20 Canzonets | Morley, Thomas (c. 1557-1602) | solo | guitar | Renaissance | |
| Fantasia Quinta | Molinaro, Simone (1565-1615) | solo | guitar | Renaissance | ||
| Fantasia XII | Molinaro, Simone (1565-1615) | solo | guitar | Renaissance | ||
| Andante Sostenuto | Op.72, No.2 | Mendelssohn, Felix (1809-1847) | solo | guitar | Romantic | |
| Song Without Words | Op. 19, No. 1 | Mendelssohn, Felix (1809-1847) | solo | guitar | Romantic | |
| Saltarello | Op. 10 | Massenet, Jules (1842-1912) | solo | guitar | Romantic | |
| Meditation | the opera Thais | Massenet, Jules (1842-1912) | solo | guitar | Romantic | |
| Je m'en suis alle vers l'amour | Massenet, Jules (1842-1912) | solo | guitar | Impressionist | ||
| Elégie | Massenet, Jules (1842-1912) | solo | guitar | Romantic | ||
| Allegro | Sonata in A minor for Cello and Basso Continuo | Vivaldi, Antonio (1687-1741) | solo | lute | Baroque | |
| Toccata 2 | Book 3 for chitaronne | Kapsberger, Giovanni Girolamo (1580-1651) | solo | lute | Baroque | |
| Toccata 3 | Book 3 for chitaronne | Kapsberger, Giovanni Girolamo (1580-1651) | solo | lute | Baroque | |
| Rose, liz, printemps, verdure | Guillaume de Machaut (1300-1377) | duet | lute | Medieval | ||
| Rose, liz, printemps, verdure | Guillaume de Machaut (1300-1377) | solo | lute | Medieval | ||
| Rondeau 7 | Guillaume de Machaut (1300-1377) | solo | lute | Medieval | ||
| Regna Terrae | Molinaro, Simone (1565-1615) | duet | lute | Renaissance | ||
| Plus Nulz Regrets | de Pres, Josquin (1440-1521) | solo | lute | Renaissance | ||
| Fantasia XII | Molinaro, Simone (1565-1615) | solo | lute | Renaissance | ||
| Mille Regrets | de Pres, Josquin (1440-1521) | solo | lute | Renaissance | ||
| The Manchester Gamba Book | Various | solo | lute | Renaissance | ||
| O Magnum Mysterium | de Victoria, Tomas Luis (1548-1611) | duet | lute | Renaissance | ||
| Seven Toccatas | Libro Terzo d'Intavolatura di Chitaronne | Kapsberger, Giovanni Girolamo (1580-1651) | solo | lute | Renaissance | |
| Four Polyphonic Songs | Binchois, Gilles (1400-1460) | solo | lute | Renaissance | ||
| Fair Phyllis I Saw | Farmer, John (1560-?) | duet | lute | Renaissance | ||
| Mysterious Barricades | Couperin, Francois (1668-1733) | solo | guitar | Baroque | ||
| Aria detto Balletto | Frescobaldi, Girolamo (1583-1643) | solo | lute | Renaissance | ||
| Ave Verum Corpus | Byrd, William (1540-1623) | duet | lute | Renaissance | ||
| Allegez Moy | de Pres, Josquin (1440-1521) | duet | lute | Renaissance | ||
| Cradle Song | Liszt, Franz (1811-1886) | solo | guitar | Romantic | ||
| Consolation | Liszt, Franz (1811-1886) | solo | guitar | Romantic | ||
| Prelude | Kuhnau, Johann (1660-1722) | solo | guitar | Baroque | ||
| Toccata 4 | Kapsberger, Giovanni Girolamo (1580-1651) | solo | guitar | Renaissance | ||
| Sarabande | HWV 434 | Handel, Georg Friederich (1685-1759) | solo | guitar | Baroque | |
| Menuetto | HWV 434 | Handel, Georg Friederich (1685-1759) | solo | guitar | Baroque | |
| Courante | HWV 441 | Handel, Georg Friederich (1685-1759) | solo | guitar | Baroque | |
| Puck | Op.71, No.3 | Grieg, Edvard Hagerup (1843-1907) | solo | guitar | Romantic | |
| A une Jeune Fille | Gounod, Charles (1818-1893) | solo | guitar | Impressionist | ||
| Fantasia XV | Gostena, G.B della (c. 1540-1598) | solo | guitar | Renaissance | ||
| Fantasia XXV | Gostena, G.B della (c. 1540-1598) | solo | guitar | Renaissance | ||
| Dance of the Blessed Spirits | Gluck, Christoph Willibald von (1714-1787) | solo | guitar | Baroque | ||
| Ballet | the opera Orfeo ed Euridice | Gluck, Christoph Willibald von (1714-1787) | solo | guitar | Baroque | |
| Fugue | Glinka, Mikhail (1804-1857) | solo | guitar | Romantic | ||
| Aria detto Balletto | Frescobaldi, Girolamo (1583-1643) | solo | guitar | Renaissance | ||
| Le Plus Doux Chemin | Faure, Gabriel (1845-1924) | solo | guitar | Impressionist | ||
| Mai | Faure, Gabriel (1845-1924) | solo | guitar | Impressionist | ||
| Apres un Reve | Faure, Gabriel (1845-1924) | solo | guitar | Impressionist | ||
| Andante | Piano Suite Op. 98 | Dvorak, Antonin (1906) | solo | guitar | 20th Century | |
| Prelude 15 | Well Tempered Clavier, Book 2 | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Prelude 11 | Well Tempered Clavier, Book 1 | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Rondo | Serenade in B flat, K 361 | Mozart, Wolfgang Amadeus (1756-1791) | duet | guitar | Classical | |
| Lord Willobies Welcome Home | Byrd, William (1540-1623) | duet | guitar | Renaissance | ||
| Jesus Christus, Unser Heiland | 45 Organ Chorales | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Presto | Italian Concerto | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Harp Concerto | Op. 4, No. 6 | Handel, Georg Friederich (1685-1759) | duet | guitar | Baroque | |
| Fugue V | Well Tempered Clavier | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Fugue 13 | Well Tempered Clavier | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Sarabande | French Suite #1 | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Et in Spiritum | Mass in B minor | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Canon in D Major | Pachelbel, Johann (1653-1706) | duet | guitar | Baroque | ||
| Ist Eine Vorstellung? | BWV 992 | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Bransle de Saint Nicholas | Polak, Jacob (1545-1605) | duet | guitar | Renaissance | ||
| Little Fugue in G minor | BWV 578 | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Alle Menschen Mussen Sterben | 45 Organ Chorales | Bach, J.S. (1685-1750) | duet | guitar | Baroque | |
| Ricercar | [Ness #40] | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | |
| Ricercar | [Ness #30] | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | |
| Ricercar | [Ness #28] | Francesco Da Milano (1497-1543) | solo | guitar | Renaissance | |
| Ricercar | Dall'Aquila, Marco (ca. 1470-after 1537) | solo | guitar | Renaissance | ||
| Mysterious Barricades | Couperin, Francois (1668-1733) | solo | guitar | Baroque | ||
| Apaisement | Chausson, Ernest (1855-1899) | solo | guitar | Romantic | ||
| Elegie | Chaminade, Cecile (1857-1944) | solo | guitar | Romantic | ||
| In Sogno | Catalani, Alfredo (1854-1893) | solo | guitar | Romantic | ||
| Twenty Canzonets | or Little Short Songs to Three Voices | Morley, Thomas (c. 1557-1602) | solo | guitar | Renaissance | |
| Allegro Vivace | Op. 105, No. 10 | Bergmuller, Johann Friedrich (1806-1874) | solo | guitar | Romantic | |
| Waltz | Op. 39, No. 9 | Brahms, Johannes (1833-1897) | solo | guitar | Romantic | |
| Waltz | Op. 39, No. 11 | Brahms, Johannes (1833-1897) | solo | guitar | Romantic | |
| Sarabande 2 | Brahms, Johannes (1833-1897) | solo | guitar | Romantic | ||
| Sarabande 1 | Brahms, Johannes (1833-1897) | solo | guitar | Romantic | ||
| Intermezzo | Op. 116, No. 5 | Brahms, Johannes (1833-1897) | solo | guitar | Romantic | |
| Pastel | Bizet, Georges (1838-1875) | solo | guitar | Romantic | ||
| Andante | Piano Sonata No. 10 | Beethoven, Ludwig van (1770-1827) | solo | guitar | Classical | |
| Prelude 24 | Well Tempered Clavier, Book 2 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude 12 | Well Tempered Clavier, Book 2 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude 23 | Well Tempered Clavier, Book 1 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude 21 | Well Tempered Clavier, Book 1 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude 19 | Well Tempered Clavier, Book 1 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Largo | Violin Sonata No. 3 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Sleepers, Awake! | Bach, J.S. (1685-1750) | solo | guitar | Baroque | ||
| Prelude 13 | Well Tempered Clavier, Book 1 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude 9 | Well Tempered Clavier, Book 1 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude | Notebook for Wilhelm Friedman Bach, BWV 928 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Prelude | Lute Suite No.4, BWV 1006a | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Arioso | BWV 992 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Ich ruf' dir, Herr Jesu Christ | BWV 639 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Aria del Postiglione | BWV 992 | Bach, J.S. (1685-1750) | solo | guitar | Baroque | |
| Air | Orchestral Suite No. 3 | Bach, J.S. (1685-1750) | solo | guitar | Baroque |